Fullerton’s Design Standards
Stucco, stucco, and stucco, Fullerton likes a da stucco and brick veneer
“Would you support our efforts to make our neighborhood historic?”
Posted by admin in Arts & Architecture, Big Brother, Boohooism, Brick Veneer, Fake Old, And Other Horrors, Fullerton's Design Standards, Modernism in Fullerton, Sustainable Design, Watch Your Wallet on July 24, 2010
I received this post from a Friend who wishes to remain anonymous for reasons that you may understand after you read this post.
Think historic neighborhoods. Immediately, one’s mind goes to such places such as Bungalow Heaven in Pasadena, Harper’s Ferry, West Virginia and others where houses, landscape, and layout reflect a distinct architectural coherence.
What we don’t think of is the hodgepodge of homes built over a span of more than fifty years within the boundaries of Skyline, Frances, Luanne, Canon and Lemon here in Fullerton. True, the neighborhood has a sort of charm. But this four block area (oddly denuded of trees) doesn’t fit the definition as historic.
Yet, for over twenty years, this neighborhood has been besieged by a small but persistent group to designate itself as such. The original movement came about when a neighbor (who has since moved away) decided the mix of 60’s ranch homes, 30’s Spanish Mediterranean and 80’s boxes needed to be protected.
Why? Because the empty lot behind her house, which she had enjoyed as her own personal open space, was going to have a house built upon it. This led to a movement asking for historical designation, with one very vociferous neighbor putting out a letter decrying such crimes as pink flamingos in yards. It ended when a flock of roving pink flamingos went from yard to yard, to rebuke this snobbishness. It was clear then, as it is now, that the historic designation is more to control everything from the color of homes, the installation of skylights, solar panels, to pink flamingos in yards.
In more recent years, the issue was raised again when a member of the Fullerton Heritage group moved into the neighborhood. This woman could often be seen taking photographs of her neighbor’s homes. She personally crossed the boundaries of neighborliness by posting a photo of one on their website as an example of “muddled and conflicted” architecture. Battle axes were raised when during a neighborhood meeting, an argument ensued. This busybody sat in the back, mute –rendering herself all but invisible. At no point did she offer any explanation why this issue meant so much to her that she was willing to pit neighbor against neighbor.
The reasons for not wanting this ridiculous designation are simple.
1. There’s no consistent architectural coherence in the boundaries of Lemon, Skyline, Frances, Luanne and Canon. While there are individual examples of historically significant architectural styles, as a neighborhood – it lacks consistency and coherence.
2. It would give Fullerton Heritage – and the City Planning Department far too much power over our neighborhood. Note, they already have ultimate veto power over designs submitted to the city for everything from new development to remodeling in other neighborhoods designated as a historical zone. In one neighborhood, they vetoed the homeowner’s request to install a skylight. Such oversight is petty, and subject to the changing whims of the board.
3. This will lead to more “fake old” McSpanish architecture. Another uninformed member of the Fullerton Heritage group noted at a meeting at Hillcrest Park that she thought the predominant style in the neighborhood should be “Spanish Mediterranean,” whatever that means.
4. The $1000 fee for the designation doesn’t even begin to cover the costs of actual staff time. In addition, this doesn’t cover the costs of ordered revisions by the owner’s architects or engineers. Fees like this are never gotten rid of, rather, the fee could be raised and the neighborhood would have no control over the amount they have to pay.
5. The city of Fullerton has a permit process already in place. This is an added layer of bureaucracy with not only more additional staff time needed, but oversight from an outside organization (Fullerton Heritage).
6. A small cadre of neighbors has already been vociferous to the point of rudeness about things they don’t like: the color of a neighbor’s home, plantings, flamingos, and more. Worse, their gossip has hit people in ways that have become personal. While we realize they are voicing their opinion, we’d hate to give them permission to authorize or disapprove on any official level.
At some point one must work with and trust the neighbors. Most of the neighbors who support this notion have lived in the area for 40 years without the intervention of the city. Why they think they should leave future generations with a law to be enforced long after they have enjoyed their own latitude –is for reasons of ego. While the notion of a historic neighborhood seems appealing, in reality it is cumbersome, vague and will leave future homeowner’s with no choice but to deal with more government and bureaucracy. It was clear twenty years ago as it is now: these people need to get a life.
All we can do is work with one another, and be neighborly but not meddlesome.
One Big Happy $23 Million Community Center
Posted by The Fullerton Savage in Arts & Architecture, Fullerton City Council, Fullerton's Design Standards, Parks and Trails on May 28, 2010
Last week, before all of the excitement about Coyote Hills and the one term history of Pam Keller, the Fullerton City Council approved the conceptual plan for a new community center. This eighth wonder of the world is to be built right across the street from city hall and the main library. The existing Boys and Girls Club and the Senior Center will be demolished to make room for it.
This $23 million mostly redevelopment funded project is supposed to be necessary because half of the city’s Parks and Rec programs are farmed out to other cities, and it would be so much nicer to have them under one new roof right downtown, near the new lingerie shop. The fifty plus year old B & G Club is considered to be beyond repair and the senior center, which isn’t really that old in the grand scheme of things is somehow inadequate. OK, so neither is an architectural masterpiece, but is it really necessary to tear them both down for this new combined community center?
The idea seems to have been to somehow “activate” the corner of Commonwealth and Highland, making it more a part of the library/city hall/police station/baseball field district. To that end, the architect has included one of those pretty, and pretty useless medians down the center of Commonwealth, and a little welcoming plaza on the north side. Placing the huge double gymnasium right up against Commonwealth doesn’t do much to activate the corner, however.
The kids, seniors and everyone in between can all interact as part of one big happy community, except that they still have their own buildings, just closer together than the current ones are, for more togetherness, I guess. There is a third building they do get to share, just to teach them all a lesson. You see, it’s a “multigenerational facility”, except that not everyone wants to be so together.
Several seniors have expressed concerns about having to be so close to boisterous young people while they are busy trying to relax with people of their own age group. As far as I know, no youngsters have yet complained about having to be close to old people, but who knows if anyone asked them during the long, long planning process.
Kids enter from the Commonwealth entrance while seniors use an entrance from the larger, southern parking lot adjacent to the senior center. This arrangement makes sense if no old people have to ride the bus to get there. You see, the bus stop is way out on Commonwealth, so seniors would have to walk through crowds of kids all the way down the central axis of the project, to get to the safety of the senior center, which is closest to the railroad tracks.

A seventy-five year old man at the hearing asked why the noisy gym and swimming pool weren’t placed nearest the railroad tracks instead of a facility used by the aged. The ever helpful and certainly senior Dr. Dick Jones suggested that seniors were hard of hearing anyway before voting to approve the plan. Not to be outdone, even more senior Don Bankhead addressed a concern about the new Commonwealth median restricting bicycle traffic by asserting that it is perfectly legal to ride on the sidewalk in Fullerton —presumably right through seniors exiting a bus.
In Fullerton It’s Only Over When Staff Says Its Over
Posted by Jan Florys Dog in Boohooism, Dead heads, Dick Jones, Don Bankhead, Fullerton City Council, Fullerton's Design Standards, Pam Keller, Redevelopment, Repuglicanism, Sharon Quirk, Shawn Nelson on December 24, 2009
A few items in 2009 have caused me to reflect on the way things go in Fullerton, the way things have always gone, in fact. My poodle friends have a saying: la plus ca change, la plus c’est la meme chose. Man, that’s Fullerton all over!
In Fullerton, no screw-up, no cluster f, no civic disaster ever goes away if the city staff doesn’t want it to. They’ll dig in their heels and start the ol’ push-back as soon as it looks like something they really want is about to get torpedoed.
Consider the absolutely horrible decision to relocate the McDonald’s outlet at a jaw-dropping cost of six million bucks. Not even the most compliant council could swallow that one, and ours pulled the plug on it (so we thought, foolish us!) last summer. But within a a few weeks, the Redevelopment staff cooked up a “new” plan for the brainless “Fox Block” scheme. And guess what? It too, involved relocating McDonald’s – just not all the way to the corner. Geez, wasn’t anybody paying attention? That episode was so bad that it really crossed the line of insubordination. But did anybody on the council say a word? ‘Course not. This is Fullerton!
Of course the real problem is is the sort of people that we keep electing to the City Council. The mentally lame, the incompetent, the inert; people who by political and personal inclination identify with the bureaucracy instead of the citizens and taxpayers of Fullerton; people who dodge responsibility. Of the current crop, only Shawn Nelson really seems to take offense at being lied to and led around by the nose like a prize bull. And speaking of bull, Sharon Quirk seems to have finally realized that her advisors have their own agendas that more likely than not are incongruous with the interests of the rest of us. Well, that’s some progress, anyway.
What will 2010 bring? More of the same, no doubt. This is Fullerton. If there’s any hope for us the brain-dead gerontocracy must go. And by gerontocracy I mean the ossified geriatric thinking displayed by councilmembers of all ages, and the interests they represent. Of course Bankhead must go. Jones, too. And Keller. But if they’re replaced with stooges like Marty Burbank or Pat McKinley what the hell’s the difference?
Well let’s throw out a few issues to track to see how bad, or good, things will be in 2010 as far as accountability goes:
Will the council finally once and for all end the Fox Block scam?
Will Keller, Quirk, and Nelson stick to their promise to put the issue of term limits on the June ballot?
Will the council quit wasting time and energy on the idiotic Transportation Center master plan?
Will the council give up on the bogus Redevelopment expansion?
Will the council ditch the moronic “at-large” members of commissions altogether?
Will the council demand accountability on the UP park scandal before they sink another dime into more Redevelopment of it? Will they tell the city manager to quit making unilateral policy decisions?
Will the council have the courage (very little required really) to forget the useless UP ROW “trail”?
Will the council quit subsidizing and encouraging illegal behavior by downtown bars and dance halls?
Well, really, the list is endless and the Friends could no doubt supply their own favorites. Bon chance!
The Questionable Promise of Technology
Posted by Mr. Peabody in Arts & Architecture, Big Brother, Brick Veneer, Fake Old, And Other Horrors, Downtown Fullerton, Fullerton's Design Standards, Redevelopment, Sustainable Design on December 8, 2009

See? We told you it would work...
Using computers to arrange and sort data is useful for all sorts of things - especially when in comes to creating three dimensional imagery. Nobody can deny the impact of presenting scanned data for medical diagnostic purposes; or the use of scaled multi-disciplinary construction models that can simulate a 3D environment: very useful for ascertaining “clashes” between different trades as well as presenting the architect and client with views of his proposed effort.
But despite the technology drum beater’s boosterism (think laptops for kids, FSD style) there reaches a point in every computer application where the information is either too dense or voluminous to be assimilated or analyzed by those looking at it; or is just plain non-effective compared to traditional approaches; or worst, lends itself to misinterpretation or deliberate misrepresentation. This point of diminishing returns is reached quickest when the recipients of data just don’t know what to do with it. When that occurs they’re bound to do something bad with it.
Such may very well be the case with a City of Fullerton program that promises to create a three dimensional model of downtown Fullerton. We received an e-mail the other day from Al Zelinka, who works for the Planning Department. We point out that Mr. Zelinka is very careful to explain that the pilot program is being paid for by SCAG, not the City (where SCAG got the money is obviously not a point of interest for Mr. Zelinka, or, presumably, us).
First, we are inevitably forced to ask why. Who will benefit from the necessary resources plowed into such a program? It’s hard to answer. And who will be able to use the information? We can envisage all sorts of staff (and consultant) time going into creating maintaining and manipulating such data; and then the inevitable jargon and rhetoric tossed back to the public to foist staff driven projects onto the public. The Council: aha! See? The 3D model supports (fill in the name of the Redevelopment Agency’s favored project).
Perhaps the most important question is whether, once the model is done, it needs to be tended and updated by the City. If not, the effort going into seems to be something of a waste.
In any case the public are invited to a meeting on December 16th @ 6 PM in the Council Chambers to see the wonders of 3D modeling. No doubt all of our questions will be answered with sparkling clarity.
At the bottom of his e-mail Mr. Zelinka (AICP) includes a quotation that ought to give pause to even the biggest Planning Department cheerleader:
“Dedicated to Making a Difference.”
“Make no little plans. They have no magic to stir [women's and] men’s blood….” – Daniel Burnham
Ay, ay, ay!
Some History Behind Architectural Veneers
Posted by The Fullerton Harpoon in Arts & Architecture, Brick Veneer, Fake Old, And Other Horrors, Downtown Fullerton, Fullerton's Design Standards on November 4, 2009
We’ve made a pretty big deal on this blog about the use of brick veneer, specifically, the way our Redevelopment Agency has always insisted on slathering it on to stuff to try to give the false appearance of historic structure, or under the guise of matching what is supposed to be the building material par excellence of downtown Fullerton: red brick.
We thought it was about time to get an historical perspective on the uses of architectural veneer – particularly masonry veneer, and so we have once again called upon the good offices of Dr. Ralph E. Haldemann, Professor or Art History (Emeritus) at Otterbein College, and our adjunct Arts and Architecture Editor. Doc?

When you want to find out, go to the best...
The question of the role of veneers in architectural history is really quite fascinating, but requires an amount (admittedly minimal) of erudition. I will try to sum up some thoughts on the subject.
In pre-modern times the nature of building materials basically necessitated that structural materials were de facto finished materials as well – although historical exceptions are not uncommon: we know of course, that the Romans during the Imperial Era were fond of using stone veneers on brick buildings to dress them up. Such uses of marble veneer were often used in the Western Mediterranean basin countries in Romanesque and Italian/Venetian Gothic buildings.
The use of plaster cement or lime-based coatings on brick, especially non-fired brick, has an ancient lineage that reaches forward into the adobe buildings of California’s own Mission period; however neither this application nor the modern use of lath and plaster on studs can be considered a veneer.
Medieval Europe, particularly in the non-deforested climes of the north, saw a rise in timber construction in which the structural members were exposed and the interstitial areas filled with plastered wattling. Again, such fill even though non-structural, cannot rightly be called a veneer.
With the advent of structural iron and steel, fill materials in modern commercial architecture remained brick (for practical and fireproofing reasons). However, terra cotta facings with ceramic finishes attached to the underlying structure became the norm from the 1890s through the 1920s; the wide adoption of moderne styles in the 20s and 30s often replaced highly detailed terra cotta with simpler and smoother concrete and even ceramic tile finishes. These uses generally applied a finished masonry surface over an unfinished substrate of common brick. These are veneers.
It was really in American domestic architecture that brick veneers (almost exclusively brick) captured the imagination of a growing bourgeois sensibility. After the industrial age had ushered in standardized lumber, machine made nails and mass produced balloon-frame wood houses, a longing for the perceived hominess and historicity of brick set in. This was aided by several cultural American Colonial Revivals, particularly in the early 20th Century that coincided nicely with eras of vast suburban expansion. It was all mostly a real eastate come-on.
The use of phony brick surfaces continued unabated in the little cracker box houses of the ’50s and persists happily to this very day, particularly in subdivisions where an emotional attachment to American historical antecedents is being peddled.
The use of fake brick fronts in commercial areas followed the same suburban trajectory as the use of the material in domiciles. It too persits today, particularly where city fathers and chambers of commerce wish to deal out a conjured up historical image for their otherwise unremarkable and humble burgs.
Modern architectural theory held that this sort of use of non-structural masonry veneer is fundamentally non-truthful, meretricious and basically a middlebrow (or lower) affectation. And so it is! And yet the Robert Venturi school of Post-Modernists embraced such use for its exuberance, color and tactile properties, as well as potential (often ironical) historical connotations. However it must be said that when the historical connotation is wrong, or the deployment is meant to be deceptive or even slavish, a real aestheic problem exists; and can, if left uncontrolled, lead to real civic embarrassment.
Ralph E. Haldemann, Ph.D.
God-awful “Fox Village” Gets Even Worse!
Posted by The Fullerton Harpoon in Arts & Architecture, Brick Veneer, Fake Old, And Other Horrors, Dead heads, Downtown Fullerton, Fox Theatre, Fullerton City Council, Fullerton's Design Standards, Redevelopment on October 23, 2009
Remember those horror movies when the outraged villagers grabbed their pitchforks to have at the monster? What the “Fox Village” monster could use are a few more angry villagers.
At the City Council “workshop” on Tuesday the new plans for the existing city-created empty space behind the Fox Theater were rolled out. And while the reception by the public wasn’t pretty it wasn’t enough to kill off the monster, either.
What was rolled out were several elevations that raised the curtain on a hideously confused jumble of themes and materials that were supposed to be modernish, but that had that certain flavor of architectural renderings done by crazy people.

Egad. What a freaking mess...
A hodgepodge of shapes and veneers with no apparent cohesion and not a whiff of aesthetic originality. Stone veneer on the first floor obligatory.

Oy Vey!
Have Fox Villagers gone insane? What a mish mash!

Say what?
Why are they still trying to move McDonald’s? Didn’t the Council put that idea to rest? And yet here it is again! Can anyone say “insubordination”? Guess not – in Fullerton! And look a parking lot on the corner. Just what downtown needs – another permanent hole in the building fabric of downtown Fullerton.

Send in the clowns...
Ah, the inevitable “pedestrian paseo.” Just lookit all the happy, bedazzled consumers. And that fountain! Precious. Makes you want to make a wish and toss three coins in.
Folks if you aren’t ready to go grab your pitchforks by now, we suggest that we stick a fork in you – because we think you’re done.
New Parking Structure Approved. More Brick Veneer in Our Future
Posted by The Fullerton Harpoon in Arts & Architecture, Brick Veneer, Fake Old, And Other Horrors, Dead heads, Fullerton City Council, Fullerton's Design Standards, Redevelopment on October 23, 2009
On Tuesday our City Council took up the matter of the proposed parking structure on Santa Fe. Since we first reported on this issue City Staff has maintained its ludicrous attachment to the brick veneer panels, and its equally ludicrous position that fake brick somehow satisfies some sort of CEQA requirement - even though WE HAVE COMPLETELY DEMOLISHED THE MYTH OF BRICK AND REALITY OF BRICK VENEER IN DOWNTOWN FULLERTON.
Such a lame approach insults not only our aesthetic sensibilities, but it also turns the whole environmental review process into a pantomime that just provides staff cover for what it really wants: fake brick.
CONSIDER THIS: THE MONEY SAVED BY ELIMINATING THE USELESS BRICK COULD GO TO ESTABLISHING SOLAR PANELS ON THE BUILDING AND ENHANCING ITS SUSTAINABILITY QUOTIENT.
New Street Signs: Assessing the Hump
Posted by admin in Brick Veneer, Fake Old, And Other Horrors, Fullerton's Design Standards on October 6, 2009
The first thing that came to my mind when I first saw these street signs was: am I the only one that thinks these things look like something I might find at Knotts Berry Farm or the dopey French Quarter at Disneyland?
There is something odd about the idea that a street sign needs to be treated as an “aesthetic” object - meaning that it is subject to the whims of visual preference among some class of people self-appointed to pass judgement on such things. A street sign is a street sign. The first necessity is functionality. Can it be read easily, and read at night? Is is affordable? After all, the taxpayer is footing the bill, rarely the individual who makes the “design” choice.
But there is something more subtle and just as pernicious as mistaking a utilitarian object for an artistic one. And that is the application of boneheaded and embarrassing aesthetic choices. We have already illustrated the confused thinking behind the aesthetic viewpoint that prefers the curved to the straight line, the complicated over the simple. Remember this post on Fullerton’s goofy redevelopment sidewalks?
And in our numerous posts that have railed against fake old we have also criticized the bureaucratic bad taste that adores the hideous old-timey themes so prevalent in insecure places like Fullerton. Who knows why there is a hump on the top of these signs? Is it something someone saw somewhere? Something picked at random out of a street sign catalogue by a traffic engineer? Are we supposed to discern an echo of the Mission Revival espadana in the hump – like those disgusting Taco Bell outlets of the 80s? Who cares?
This is just another example of confusion: confusion that a street sign needs to be gussied up; confusion that a hump on top is better than a simple rectangle; and confusion that the inclusion of the almost illegibly dinky word “Fullerton” somehow adds something to the ensemble.
Say, whatever happened to that Country Bear Jamboree?
Give It Back. Now.
Posted by The Fullerton Shadow in Fullerton's Design Standards, Modernism in Fullerton, Sustainable Design on September 28, 2009
We received an e-mail the other day from a Friend calling herself “Lady Artist.” It was a good letter and it made some excellent points so we agreed to publish it.
The City of Fullerton has proven to be a faithless custodian of a modern architectural gem. I have come to the conclusion that the best fate of the building that has come to be known as the Hunt Branch Library is to give it back to the Norton Simon Foundation or, at least to someone who will appreciate it.
William Pereira designed this building in concert with a larger, integrated development; a site plan that included the Hunt Administration Building and coordinated landscape that included a reflecting pool and ”floating” concrete slabs and steps. Over the years the property has been partitioned by a fence, the reflecting pool filled in by its new owners, with new and comically bad architecture burdening the site. Perhaps most insulting of all, the City has put a “bark park” on the grounds next to the library.
A bark park. Great for dogs, insulting for a work of art. Unless by art you mean a group of dogs playing poker.

Fullertonians may not know art, but they know what they like.
I believe that almost anybody would be a more reliable guardian of this building than the City has shown itself to be. The homeless people who camp out under the extended roof seem to appreciate it more than the City does.
I also believe the present location for a branch library couldn’t be worse. It is not well known, and frankly, I question the number of users claimed by the Library itself in its annual counts. Why continue to fund a branch library at this near-hidden location when neither north nor east Fullerton have branch libraries at all; not to mention that the existence of the Hunt Branch would probably come as a complete surprise to most west Fullerton denizens? But these are separate issues in themselves, and I digress.
For years I’ve heard all this weeping and wailing about how Fullerton could have had the Norton Simon Museum. Why mourn that? Fullerton doesn’t deserve it. Never did. The inescapable evidence is on display at the Hunt Branch every day of the year.
Let’s give it back to Norton Simon, with our thanks; and our apologies for not recognizing the architectural legacy that he gave us.
Thank you, Lady Artist, for a thought-provoking piece.









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